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A gay-friendlier Kingdom with cute dress

Monday, March 23, 2009

Written by Brendan Brady
Monday, 23 March 2009

Cambodia’s openness to homosexuality contributes to its growing reputation as a destination where gay tourists can travel without fear of prejudice

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Photo by: Rick Valenzuela
Drag diva Deedee dances August 22, 2008, at Blue Chilli, a popular gay-friendly bar in Phnom Penh, in this file photo.

A livelier scene across the border

THE beaches of Patong and Pattaya in the Thai island haven of Phuket have attracted waves of gay travellers for years. The website gaypatong.com says Phuket is “one of the world’s most exciting Gay playgrounds” on par with the likes of Amsterdam, the Spanish resort town of Sitges and San Francisco. Phuket has been at the vanguard of an effort by tour operators to get their slice of the growing gay travel market, which Mintel International Group, a market-research company in Britain, said would grow by more than US$20 billion worldwide between 2006 and 2010. Travelocity, which has offered a database of gay-friendly hotels since 2005, includes hotels certified by the gay-tourism marketing company Community Marketing as enforcing non-discrimination policies.
FROM tastefully decorated gay-owned restaurants where "the all-male staff are gorgeous and friendly" to spas frequented by gay expats that guarantee an "absolutely magic" massage from male masseurs, Utopia Asia tips gay travellers to Siem Reap.

While a far cry from Thailand's Phuket Island, where Speedo-clad beefcakes paint an exuberant scene, Cambodia is offering an increasing number of venues catering to gay travellers.

"People living here have a very open approach to gay people. That's been recognised, and so more gay travellers are coming here," said Dutch national Dirk Degraass, who designed and manages the aptly named Golden Banana guesthouse in Siem Reap.

He says the number of gay travellers in Siem Reap, the jump-off hub to tour the temples of Angkor Wat, has steadily risen over the three years he has lived in Cambodia. To keep pace with demand, the boutique guest house has expanded twice, mostly recently opening a third addition three months ago.

Even venues that have made no effort to attract gay customers seem to be benefiting from Cambodia's growing reputation as a destination where gay people can travel without experiencing prejudice.

La Veranda Resort in the coastal town of Kep receives a steady stream of gay tourists, according to its manager, Craig Pollard.

"You can come here and feel there's no problem; you can feel no one will look down on you," said the Australian.
Laurent Notin, with Indochina Research, which has offices in Cambodia, Laos and Vietnam, said Cambodia is well-suited to cultivating a niche tourism market to target specific demographics, as the country has yet to draw the numbers of a major tourism destination.

"Big companies are unlikely to come and push them out," he said, referring to the prospects of small hotels trying to attract gay travellers. "And niche markets are often lucrative - a small, but focussed, market can be very profitable."

A tough tourism year
In dismal economic times, any growth market may be worth jumping on. Tourism Ministry officials earlier this month announced that January tourist arrivals dropped by more than 2 percent compared with the same period last year - a sign that a key economic driver is flagging in the face of the global economic downturn.

Looking to keep people interested in travel even as their budgets shrink, a US-based travel company catering to gay travellers sees promise in Cambodia. Last month, it opened a new tour of Southeast Asia that includes Cambodia, along with Thailand and Laos.

Howie Holben, head of Spirit Journeys, bills his tours as "spiritually uplifting gay travel" and says he has found Cambodia to be a "very accepting environment".

The company is tapping into a destination that has largely gone under the radar, but that is already registering as a rising star. For Purple Dragon, Asia's longest-running travel company tailored to gay travellers - with routes to eight countries in the region - Cambodia is the second-most popular destination behind Thailand, according to Douglas Thompson, managing director of the company's headquarters in Bangkok.

Holben distinguished his tours from those of other gay travel companies. "Typically, there would be gay-oriented experiences like going out to gay nightclubs," he said. "But we're not going to experience gay life. We are just offering to the gay community the opportunity for a spiritual journey."

Spirit Journey's three-week trips, the first kicking off in November, focus on historical sites and include meditation exercises. The visit to Cambodia is dedicated to the Angkor temples around Siem Reap.

And for the time being, observers see Cambodia's "pink" tourism tailored more to ensuring accepting spaces than to providing lively spots for socialising.

Unprejudiced hospitality
Craig Duncan is on his fourth trip to Cambodia. For the 40-year-old from Australia, it is an "absolute priority" to search for the availability of gay-oriented venues before travelling somewhere - and Cambodia has fit the bill.

"Going online and finding gay-friendly places made a big difference. I was able to find out Cambodia would be a good place even before I got here," he said.

For Duncan, a gay-friendly hotel means "if you meet someone, you can take them back there, or if you're travelling with you're partner, they don't try to put you in different beds."

His impression has remained positive. He says he has not experienced an insult or any incidents of discrimination in the nearly five weeks he has spent in Cambodia as a tourist. In Southeast Asia, he observed, there is a sense of intimacy among people of the same sex that is comforting for gay visitors to see.

Duncan said the "services" for gay travellers have expanded along with the growing number of gay travellers to Cambodia. He has noticed a growth in the number of male prostitutes, or "money boys", in nightclubs in Phnom Penh and Siem Reap.

But the scene remains limited, he said, and he was eager to see Cambodia become livelier in its nightlife - bars and dance clubs - for gay visitors. Phnom Penh has a handful of gay bars, and Siem Reap offers a few gay-friendly watering holes, but it is a low-key scene compared with the globe's most storied gay destinations.

As Duncan put it, a gay destination in Thailand "would mean more".
And travel writer Nick Ray says it will likely stay that way for the near future.

Ray has authored Lonely Planet guides for Cambodia, Thailand, Laos, Vietnam and other countries in the region.
There has been a doubling of venues catering to gay visitors in Cambodia over the last three years, he's observed, but he thought the scene would remain subdued compared to that of some of its neighbour.

"It's following the Thai pattern more than the pattern of some of its conservative neighbours - like Vietnam, where it's considered a social evil - but I don't think it will reach the scale of Thailand."

Govt position unpredictable
Ray doubted there would be a public outcry if Cambodia's tourism scene for gay travellers became more pervasive and visible, but he said the possibility of a government backlash was difficult to predict.

"All it takes is one or two senior officials to decide they don't like it." But, at the moment, it's off the radar, he said.
With a former king, Norodom Sihanouk, who has been a vocal supporter of equal rights and same-sex partners, no history of homophobia among the public and no laws against homosexuality, local tourism operators have a supportive backdrop to carve out a space specifically for gay travellers.

But for the time being, Cambodia's official line, if there is one at all, oscillates.
Tourism Minister Thon Khong would only say he had not reflected on the prospect.

The Cambodian Association of Travel Agents would not consider promoting Cambodia as a gay-friendly tourism destination, said one of the group's top representatives, Ho Vandy. He was adamant, however, that hotels should not be allowed to turn away customers because of their sexual orientation.

He said tour operators were not opposed to gay visitors coming, but a campaign to woo them was out of question.
"We have a traditional culture, and we don't want foreigners promoting homosexuality [amongst Cambodians] in our country, but for gay foreigners who wish to visit Cambodia, that is OK."

Nick Ray saw it differently. He said the extent that Cambodia continues growing as a destination for gay travellers could largely depend on the attitudes of local people towards homosexuality.

"If more Cambodians come out, it will create a synergy that could have the industry take off."

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Presenting life on the move

Written by Jonathan Allison
Friday, 20 March 2009

French photograher Jean-Francois Perigois finds a ‘system' within the dizzying chaos of Phnom Penh's city streets in his new exhibition at Equinox

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Photo by: JEAN-FRANCOIS PERIGOIS
One of the photographs showcased at the "Part of the Process" exhibition.
Having been in the country on and off for more than seven years, Jean-Francois Perigois is no stranger to Cambodia. During this time, he has observed vast changes and discovered that transport, or what he refers to as "the wheel of life", has played an essential part in this change.


"Transport is part of the process of change, but it is also part of the process of life. For those who own the transport, the wheel is so important. It is like the wheel of life," he said.

More than 35 interpretations of the crucial role that the varied forms of transport play in the life of Phnom Penh are documented in Perigois's latest exhibition "Part of The Process", which opens tonight at Equinox.

Perigois, a self-taught photographer, started his career in Paris but left the country to travel after he found it difficult to make a living through pursuing his passion.

Having done the tourist route through Southeast Asia, Perigois was drawn back to Cambodia again and again.
Having had numerous exhibitions in Cambodia at venues including Raffles Le Royal Hotel and Restaurant Le Liban, Perigois is well known locally for his portraits of people and capturing what he refers to as "the instant of life".

"Part of the Process" represents a departure from the artist's usual style.

"[At first], I thought about a collection of photos of the Asian minorities but [then I thought], no, I'm in Cambodia, the photos should be from Cambodia as well."

He then realised that he wanted to create something different from previous exhibitions. Perigois then noticed an often overlooked, if ever present, aspect of life in Cambodia - transport.

"It looks chaotic, an everyday obstacle for many, but there is a kind of system. It is somehow organised, and miraculously there are very few accidents."

The variety of different modes of transport struck a chord with him.
It occurred to Perigois that transport is not only the lifeblood of the country, as it is in any country, but it is also the lifeblood of the people who own it and use it.

"For many people, their transport is their life, part of the wheel of life. Take that away from them and they have nothing," he said.

A dizzying pace
But Cambodia is changing. There are fewer cyclos and more Lexises, more people on the roads, more produce to move.
"You can go to any of the big markets and see people, all day, moving goods on their family transport, just trying to make enough money for them and their families to survive, all vying for space on the over-crowded roads with new, expensive cars."

It's this idea of "social distortion" that Perigois finds fascinating.
"The changes are becoming more and more apparent - lots of new buildings appearing and many old buildings disappearing - but still there will be people making a living with their precious transport."

This ideal can be seen in many of his telling images of people going about their daily, unchanged lives in the thick of the dizzying pace of development - a part of the daily process of life.

Unlike in his previous work, Perigois has manipulated the colour in his images, the subject being in colour and the background in black and white. It is an interesting device, in that it accentuates the subject, but this is not Perigois's primary goal.

"The transport is moving. That is the instant that I want to capture. The colour keeps it in the present, whereas the black and white is the past. It's already happened."

Perigois hopes that his exhibition will help people to open their minds and look carefully at different ways of life
"I'm happy for people to get a connection with my images. I hope that people can look at the streets with more interest and compassion."

"Part of the Process" opens today at 7pm at Equinox and runs through May 1.

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entertainment places in cambodia

Written by TOM HUNTER Phnom Tamao Wildlife Rescue Center gives baby elephant new lease on life
Thursday, 19 March 2009

Betelnut Tours, which conducts trips to the center, is hosting a quiz this Friday to raise money for the animals

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Photo by: TOM HUNTER
Sun Vathana, Betelnut Tour guide, and a gibbon named Preah Vihear.
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Photo by: TOM HUNTER
Lucky comes across a curious tour participant.
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Photo by: TOM HUNTER
Betelnut Tour jeep.
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Photo by: TOM HUNTER
Betelnut Tour participants enjoy a feast fit for a king.
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Photo by: TOM HUNTER
Chhouk and his older play mate Lucky enjoy a swim.
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Photo by: TOM HUNTER
Phnom Tamao Wildlife Rescue Center.
Srepok Wilderness Area is nestled among the mountains of Mondulkiri in Cambodia's northeast. The area is home to banteng, gaur, tiger and some of the countries last remaining wild Asian elephants. It is remote and rugged with few roads and little infrastructure.

Mondulkiri's isolation provides the perfect cover for Cambodia's animal poachers. The area is littered with snares, animal traps designed to hold live animals until their captors release them into the nation's illegal wildlife trade.

In March 2007, a team of Wildlife Alliance rangers heard reports of a baby elephant wandering through the forest. Early reports had identified the young elephant as alone and distraught with his front left foot severely injured and infected.

It is thought that the elephant had his leg caught in a snare trap designed for a creature of lesser stature. While he was able to free himself from the trap, his leg was badly damaged and in need of immediate medical treatment.

Two years later, the elephant - named Chhouk - lives at the Phnom Tamao Wildlife Rescue Center, home to seven other Asian elephants, one of the world's largest population of sun and moon bears, gibbons, endangered otters, an African lion and hundreds of rescued animals, freed from lives of captivity, cruelty and mistreatment.

The wildlife centre is located 45 kilometres south of Phnom Penh on 2,300 hectares of government-owned regenerated forest. The centre is home to Wildlife Alliance's Care for Rescued Wildlife program designed to care for animals that cannot be reintegrated back into the wild. The centre looks after 1,100 animals, which include 93 species of endangered and threatened animals.

Chhouk was in a bad state, he had tore his own foot off to free himself from the snare.


Phnom Penh's Betelnut jeep tours conduct informative guided day trips to the centre with a focus on the peril that Cambodia's wildlife faces and some unique close encounters with endangered animals.

My guide for the day was 22-year-old Sun Vathana who has been working at the park, through Betelnut Tours, for approximately six months.

An obvious animal enthusiast, Sun Vathana loves her new job - a world away from her previous workplace, a garment factory. "At my old job, I would do the same thing every day. I didn't like that ... it was so boring," she said. "At first I was scared of the animals and I didn't get too close, but it was very important for me to confront my fears so I could get closer to the animals that I love."

The park is home to an estimated 80 gibbons. Each animal has a personality, some more pleasant than others.

Sun Vathana warned me to stay away for the black gibbon - "very cheeky," she said. Sure enough, I was attacked twice throughout the day by two gibbons eager to steal my camera.

The gibbons are indicative of some of the animals in the park who have often been tormented by their captors.

One gibbon, aptly named Preah Vihear, after the conflict in the Cambodia/Thai border town where the monkey was found, is new to the park and the hair on her leg is noticeably missing. She was found in a private home by Wildlife Alliance, chained, malnourished and disturbed. When Preah Vihear was found, she was chained by her left foot, bleeding from her efforts to escape.

Preah Vihear is the only gibbon in the park that lives alone. Her injuries and volatile personality mean that she is unable to be paired with a companion. When we arrive at her enclosure, she seems eager for attention and lonely, a gentle creature reaching a bare arm out of the cage for attention. Sun Vathana tells me that on her last visit the gibbon bit her on the wrist.

According to a survey completed last year by World Conservation Congress of the International Union for the Conservation of Nature, 79 percent of primates in Southeast Asia are now facing extinction. "The wildlife trade is second only to the drug trade in terms of how much money it generates in Southeast Asia," David Emmett, regional director of the Indo-Burma program at Conservation International, said in an interview with the Post last October.

Nick Marx, Care for Rescued Wildlife project manager, is responsible for rescuing endangered animals destined for the illegal wildlife trade.

Marx leads a team of animal care specialists who found Chhouk the elephant in Mondulkiri province, and considering the severity of Chhouk's injuries and the fact that his mother had abandoned him, concluded that the best place for the elephant was the centre. "Chhouk was in a bad state. He had torn his own foot off to free himself from the snare, and the wound was badly infected with maggots," said Barb Braniff, Betelnut tour operator.

After ruling out a helicopter airlift due to cost and the remote location, Chhouk was transported - while heavily sedated - on the back of a truck cushioned with banana leaves and rice straw. The journey took 26 hours.

"I'm sure he's happy and doesn't feel disabled, but he is in desperate need of a prosthetic foot," Marx said. "His left leg is starting to bow out and he cannot walk long distances with the other elephants. If he is left like this it will eventually damage the rest of his body," said Marx.

A new invention
Elephant prostheses are a relatively new invention. Chhouk will be the third elephant ever to receive the treatment.
A Thai elephant named Motola first received the treatment in 2006, after having her leg injured by a land mine.

Chhouk's new leg, which is being made by the Cambodian School of Prosthesis and Orhtotics (CSPO), will cost an estimated US$30,000; however, it is hard to estimate the full cost of the projected as Chhouk will need a new prosthesis every year until he is fully grown.

CSPO is an educational center where students from the region can learn how to prescribe, manufacture and fit artificial limbs and orthopedic braces.

In their spare time they have generously volunteered their knowledge to make Chhouk's artificial foot.
Betelnut Tours, which operates out of the Lazy Geko Cafe is hosting a quiz night this Friday to raise much needed funds for Chhouk and PTWRC. Teams of 4 wishing to register for the event can do so by calling 012 619 924, subject to availability.

Betelnut Tours runs weekly guided trips to PTWRC. The all inclusive tours cost US$30 and can be arranged through www.betelnuttours.com.

Those wishing to donate to the park and Chhouk's new foot can do so through www.wildlifealliance.org

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Khmer boys show off

Written by ERIN GLEESON Sa Sa Gallery's 'Art Rebels' forge new creative paths
Thursday, 19 March 2009

Young, hip and dedicated, the eight artists behind the collective have embraced an ensemble approach to bringing non-traditional perspectives to the masses

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Photo by: ERIN GLEESON
Sa Sa Gallery co-founders say they want to teach up-and-coming artists to see their environment in a new way.
A COUPLE of months ago, I visited the peaceful grounds of the Khmer Arts Academy in Takhmao to meet with former Minister of Culture Chheng Pong. It was my third meeting that month with different retired cultural ministers - the goal being to have an open-ended discussion on contemporary visual arts in Cambodia.


Among many other approaches to the topic, I gave Chheng Pong a slideshow on my computer of artworks by more than a dozen contemporary Cambodian artists whose practices and themes are wide-ranging, from the oldest and now deceased self-taught painter-of-the-everyday Svay Ken, to a young artist from the Reyum Art School making large paper sculptures of mythical figures.

Chheng Pong was surprised to see the vitality and development, which deviated from the Royal University of Fine Art's beaux-arts approach of preserving idealised forms and passing the style on to future generations. He, like the other ministers, and like myself, contemplated the collective unawareness of these artists and their practices, and more broadly, why contemporary visual artists receive nearly no support from the Ministry of Culture.

An ensemble tradition
Along with other thoughtful formulas, Chheng Pong mentioned that because contemporary artists most often work individually, they are seen to communicate individual expression, which is contrary to the nature of the historical artisan practice: "The spirit of Khmer culture is an ensemble. It is not an individualistic culture. We see the whole. The individual worker is not part of the cultural participation unless working with the masses. Mass is considered the highest way of working."

WE HAVE A CONSISTENT PLACE NOW, LIKE A HOME. THAT STABILITY ALLOWS US TO BE MORE CREATIVE TOGETHER.


The five young artists and founders of Cambodia's first artist-run gallery Sa Sa feel the same, and they are determined to encourage their generation to better understand that individualistic expression is for the masses, too.

Vandy Rattana, photographer and current Sa Sa Gallery leader (a position that will rotate annually), was recently at the internationally praised Drik Photography Festival in Dhaka, Bangladesh, with the On Photography Cambodia project. There, he encountered an active community of Bangladeshi artists and cultural workers engaged with an energetic and supportive Bangladeshi public. He wanted to bring this sense of engagement to Cambodia, a sentiment echoed by many other Cambodian artists thriving from opportunities to travel and exchange with other Asian art communities who have wider reception in their cultures.

Photographer and Sa Sa co-founder Lim Sokchan Lina believes he must engage with students to promote the gallery and artists' practices at Norton University, where he is currently a student. He believes this gesture will allow young Cambodians to gain new perspectives through art. "Non-traditional art is a new thing for them because they don't know about other galleries in Phnom Penh or outside Cambodia," Lim Sokchan Lina said. "The students know their memories, but they don't know photography. Through photography exhibitions at Sa Sa, we will show them the environment they encounter in a new way."

Sa Sa takes its name from the first syllables in the artist collective's full name - Stiev Selepak, or "Art Rebels". Founded in 2007, the collective's purpose is to "help each other achieve art projects by sharing knowledge and resources".

An accidental beginning
For the past two years, Sa Sa's eight members met informally in different spaces to discuss projects or invite speakers to share experiences. They collaborate on various projects based on their strengths or availability. Recently, three members designed the set for a new Cambodian play, Breaking the Silence.

After two years, why a gallery? "It was an accident," said Vandy Rattana. "I was eating at Bai Tong restaurant on street 360 and the co-owner (Community Legal Education Center's Ou Virak) walked up to me and asked if I could hang my photographs on the wall. By the end of the conversation, we decided to involve the Stiev Selepak group not only in the restaurant exhibitions but also in a small wing of the building that we call the Main Gallery."

The way forward
It made sense to Vandy Rattana that the way forward was to take on leadership roles in other areas of the field beyond making art - a healthy development in any emerging art scene.

The Sa Sa space will be both a commercial gallery and a meeting place, or, what co-founder Khvay Samnang calls a home. "We have a consistent place now, like a home. That stability allows us to be more creative together. It's motivating."

To begin with, Stiev Selepak members will jointly curate a balance between contemporary and traditional art exhibitions from Cambodians. The wall space throughout the two-level restaurant, which will act as a semi-permanent exhibition, and the separate Main Gallery will rotate exhibitions every two or three months. Co-founder Kong Vollak, who participated in a curatorial training program in 2008, would like to give opportunities to students from the Royal University of Fine Arts, where three Sa Sa members are alumni. In the future, they hope to host artists they have met throughout the region.

Although all founders have assisted with organising and installing many exhibitions in Cambodia, co-founder Heng Ravuth used a Khmer proverb about frogs venturing from their small pond to convey the challenge and excitement that comes with new responsibilities. They are thankful for friends who are students of management and accounting who can help with the business aspect of running a gallery.

With the Main Gallery measuring a mere 20 square metres, Sa Sa Gallery is poised to show the expanding Cambodian art community and the deflating economy that small is beautiful.

"INTRO", Sa Sa Gallery's inaugural exhibition, opens this Saturday from 6pm to 10pm at No 7, Street 360, Boeung Keng Kang, Phnom Penh.

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Cambodia: Rice politics


Monday, March 23rd, 2009
By Chhunny Chhean
Global Voices Online


Rice is more than a staple of the Cambodian diet. It also implicates land rights, trade and international relations. Some Cambodians are frustrated over land leases to neighboring Vietnam. They are concerned the leases will evolve into ownership changes, resulting in a reduction of Cambodian territory.
Rice is more than a staple of the Cambodian diet. It also implicates land rights, trade and international relations.

A post on The Mirror reveals the frustration of Cambodians, including Cheam Yeap, a Cambodian People's Party official, over land leases to neighboring Vietnam. From the Mirror, citing Cheat Khmer, Vol.1, #40, 18.3.2009:

Thousands of hectares of citizen’s land lying along the Yuon [Vietnamese] border of An Giang Province, bordering Svay Rieng and Prey Veng, are being leased to Yuon companies by Khmer authorities along the Yuon border to grow agro-industry crops. The Phnom Penh Post published an article on 26 February 2009, quoting the Svay Rieng governor, Mr. Cheang Am, that 10,000 hectares of land in Svay Rieng are prepared to be leased to Yuon companies along the border and also, the Prey Veng governor, Mr. Ung Samy, told the Phnom Penh Post that he will discuss with Yuon officials in Yuon [Vietnam] about the leasing of rice fields along the border to Yuon companies to come to do rice cultivation in Khmer territory.

Yeap is concerned the leases will evolve into ownership changes, resulting in a reduction of Cambodian territory. Others, like Prum Soanara, an engineer, thinks the land is best utilized if given to the country's own citizens to cultivate rice.

KI Media highlights the problem of illegally imported rice with an article from the Nation:

The Thai Rice Exporters' Association and the Board of Trade of Thailand (BoT) will soon propose that the Commerce Ministry set up a Public Warehouse Organisation as an “import agency” to oversee rice imports once the Asean Free Trade Area (Afta) eliminates all import tariffs.

The agency would institute measures to protect Thai farmers, such as requiring imported rice only be used for raw purposes in manufacturing. However, exporters are worried such protections encourage those seeking to manipulate the system, thereby increasing the amount of illegally traded rice, including rice grown in Cambodia.

In addition to its practical roles, rice is symbolic of Cambodian culture, as this video shows. This piece from Khmer Civilization involves images of rice from farm to market:
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Posted by Socheata | Permalink |

Labels: Alleged illegally imported rice from Cambodia to Thailand | Chhunny Chhean | Land leased to Yuons | Rice politics


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Cambodia: Rice politics


Monday, March 23rd, 2009
By Chhunny Chhean
Global Voices Online


Rice is more than a staple of the Cambodian diet. It also implicates land rights, trade and international relations. Some Cambodians are frustrated over land leases to neighboring Vietnam. They are concerned the leases will evolve into ownership changes, resulting in a reduction of Cambodian territory.
Rice is more than a staple of the Cambodian diet. It also implicates land rights, trade and international relations.

A post on The Mirror reveals the frustration of Cambodians, including Cheam Yeap, a Cambodian People's Party official, over land leases to neighboring Vietnam. From the Mirror, citing Cheat Khmer, Vol.1, #40, 18.3.2009:

Thousands of hectares of citizen’s land lying along the Yuon [Vietnamese] border of An Giang Province, bordering Svay Rieng and Prey Veng, are being leased to Yuon companies by Khmer authorities along the Yuon border to grow agro-industry crops. The Phnom Penh Post published an article on 26 February 2009, quoting the Svay Rieng governor, Mr. Cheang Am, that 10,000 hectares of land in Svay Rieng are prepared to be leased to Yuon companies along the border and also, the Prey Veng governor, Mr. Ung Samy, told the Phnom Penh Post that he will discuss with Yuon officials in Yuon [Vietnam] about the leasing of rice fields along the border to Yuon companies to come to do rice cultivation in Khmer territory.

Yeap is concerned the leases will evolve into ownership changes, resulting in a reduction of Cambodian territory. Others, like Prum Soanara, an engineer, thinks the land is best utilized if given to the country's own citizens to cultivate rice.

KI Media highlights the problem of illegally imported rice with an article from the Nation:

The Thai Rice Exporters' Association and the Board of Trade of Thailand (BoT) will soon propose that the Commerce Ministry set up a Public Warehouse Organisation as an “import agency” to oversee rice imports once the Asean Free Trade Area (Afta) eliminates all import tariffs.

The agency would institute measures to protect Thai farmers, such as requiring imported rice only be used for raw purposes in manufacturing. However, exporters are worried such protections encourage those seeking to manipulate the system, thereby increasing the amount of illegally traded rice, including rice grown in Cambodia.

In addition to its practical roles, rice is symbolic of Cambodian culture, as this video shows. This piece from Khmer Civilization involves images of rice from farm to market:
AddThis

Posted by Socheata | Permalink |

Labels: Alleged illegally imported rice from Cambodia to Thailand | Chhunny Chhean | Land leased to Yuons | Rice politics


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